Notes on Fassbinder’s ‘Angst essen Seele auf’ (1998)

This article addresses the issue whether discourse analysis, when taken seriously, allows for positions that go against dominant discourse. I do so by analyzing Fassbinder’s movie ‘Angst essen Seele auf’ (Fear Eats the Soul) from 1974.

Notes on Fassbinder’s ‘Angst essen Seele auf’, in Hanne Petersen (ed): Love and Law in Europe, Ashgate, Dartmouth 1998, p. 81-96